The History of Hannibal Series (La Historia de Aníbal)

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|introduccion=
 
|introduccion=
<p>The five cloths of the series narrate episodes from the military deeds of the Carthaginian general Hannibal. The scenes feature spectacular figures of people and animals, framed by a wide border of 50/55 cm based on fruits and vegetables. In a banner on the top part, several Latin inscriptions recount the events.</p>
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<p>The five pieces in this cycle narrate episodes from the military deeds of the Carthaginian general Hannibal. The scenes feature spectacular figures of people and animal framed by a wide border of 50/55 cm depicting fruits and vegetables. Several Latin inscriptions in a banner in the top part recount the events.</p>
  
  
 
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<p><b>A series dedicated exclusively to Hannibal is not common.</b> The Carthaginian hero generally appears by his enemy, Scipio Africanus, who, as the winner of the war, becomes the main character in the tale. In this series, however, the only protagonist is Hannibal and his victories.</p>
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<p><b>A series dedicated exclusively to Hannibal is unusual</b>. The Carthaginian hero generally appears with his enemy, Scipio Africanus, who, as the victor of the war, becomes the main character in the tale. In this series, however, the only protagonist is Hannibal and his victories.</p>
  
<p><b>The series must have been comprised of eight cloths</b>, five of which are kept in Zamora: <i>Hannibal’s oath</i>, <i>The crossing of the Alps</i>, <i>Hannibal in Italy</i>, <i>The plunder of Cannae</i> and <i>Mago, Hannibal’s messenger, in Carthage</i>. A sixth cloth kept in the castle of Chaumont, <i>The taking of Saguntum</i>, was part of a replica of Zamora’s series.</p>
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<p><b>The series was probably composed of eight pieces</b>, five of which are kept in Zamora: ‘Hannibal’s Oath’, ‘The Crossing of the Alps’, ‘Hannibal in Italy’, ‘The Plunder of Cannae’ and ‘Mago, Hannibal’s Messenger in Carthage’. A sixth tapestry kept in the castle of Chaumont, ‘The Taking of Saguntum’, was part of a replica of the Zamora series.</p>
  
<p><b>The tapestries were woven in Brussels</b>, as shown by the mark B▼B on the selvage. The mark of the weaver is also there, but it has not been deciphered to this date. We know that he worked in the time of the weaver François Geubels, the late 16th c., and that they worked together, because his mysterious mark appears next to Geubels’ in the series <i>History of Romulus and Remus</i>, kept in Vienna. </p>
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<p><b>The tapestries were woven in Brussels</b>, as shown by the mark B▼B on the selvage. The mark of the weaver is also there but has not yet been deciphered. We know that the weaver worked in the late 16th century  and that he worked together with the weaver François Geubels, because his mysterious mark appears next to Geubels’ in the <i>History of Romulus and Remus</i> series kept in Vienna. </p>
  
<p><b>The author of the cartoons has not been ascertained either</b>. Without a doubt, he was an Italianized painter from the Netherlands, probably from the circle of Michel Coxcie. His shapes are lacking in expression but they are monumental and rich in coloring.</p>
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<p><b>The author of the cartoons has not been ascertained either</b>. He was most likely an Italianized painter from the Netherlands, probably from the circle of Michel Coxcie. Despite a certain lack of expression, his shapes are monumental and rich in colouring.</p>
  
<p><b>Considering the bordure, </b>in which the figures are inserted among the vegetables and the fruits, the series has been dated c. 1570.</p>
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<p><b>The style of the border</b>, with its figures inserted among the vegetables and fruits, suggests a date of around 1570 for the series.</p>
  
<p><b>There is no precise documentation </b>about the date of entry into the cathedral of Zamora. It has been argued that they belonged to the precentor Jacinto Varas y Vázquez, who presented the cathedral with eight “Historical” tapestries in 1772. However, they could have been there since the early 17th c., since “twenty tapestries of fine wool and old history” are documented in 1620.</p>
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<p><b>There is no precise documentation</b> about the date of entry into the Cathedral of Zamora. It has been thought that the series belonged to the precentor Jacinto Varas y Vázquez, who presented the cathedral with eight ‘historical tapestries’ in 1772. However, the cycle could have been there since the early 17th century, since ‘twenty tapestries of fine wool telling of ancient history’ were documented in 1620.</p>
  
  
<p>'''References'''</p>
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<p><b>References</b></p>
  
<p>MARTÍN AVEDILLO, F., <i>Los tapices de la catedral de Zamora</i>, Zamora, 1989.</p>
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<p>F. Martín Avedillo, <i>Los tapices de la catedral de Zamora</i>, Zamora, 1989.</p>
<p>ASSELBERGHS, J.-P., <i>Los tapices flamencos de la catedral de Zamora</i>, Salamanca, 1999.<br /></p>
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<p>J.-P. Asselberghs, <i>Los tapices flamencos de la catedral de Zamora</i>, Salamanca, 1999.</p>
  
  
 
{{tabla1|
 
{{tabla1|
<p><b>Name of the series</b> <i>The History of Hannibal</i></p>
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<p><b>Series</b> <i>The History of Hannibal</i></p>
<p><b>Cartoons</b> anonymous master of the Netherlands</p>
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<p><b>Models</b> Anonymous Dutch master</p>
 
<p><b>Manufacture</b> Brussels’ workshops, c. 1570</p>
 
<p><b>Manufacture</b> Brussels’ workshops, c. 1570</p>
 
<p><b>Fabric</b> Wool and silk, 6,5/7 warps per cm</p>
 
<p><b>Fabric</b> Wool and silk, 6,5/7 warps per cm</p>
<p><b>Origin</b> In the cathedral since the 17th c.</p>
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<p><b>Origin</b> In the cathedral since the 17th century</p>
 
<p><b>Location</b> Cathedral of Zamora (Cathedral Museum)</p>
 
<p><b>Location</b> Cathedral of Zamora (Cathedral Museum)</p>
 
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Latest revision as of 13:56, 1 December 2014

The History of Hannibal Series (La Historia de Aníbal)

The five pieces in this cycle narrate episodes from the military deeds of the Carthaginian general Hannibal. The scenes feature spectacular figures of people and animal framed by a wide border of 50/55 cm depicting fruits and vegetables. Several Latin inscriptions in a banner in the top part recount the events.



A series dedicated exclusively to Hannibal is unusual. The Carthaginian hero generally appears with his enemy, Scipio Africanus, who, as the victor of the war, becomes the main character in the tale. In this series, however, the only protagonist is Hannibal and his victories.

The series was probably composed of eight pieces, five of which are kept in Zamora: ‘Hannibal’s Oath’, ‘The Crossing of the Alps’, ‘Hannibal in Italy’, ‘The Plunder of Cannae’ and ‘Mago, Hannibal’s Messenger in Carthage’. A sixth tapestry kept in the castle of Chaumont, ‘The Taking of Saguntum’, was part of a replica of the Zamora series.

The tapestries were woven in Brussels, as shown by the mark B▼B on the selvage. The mark of the weaver is also there but has not yet been deciphered. We know that the weaver worked in the late 16th century and that he worked together with the weaver François Geubels, because his mysterious mark appears next to Geubels’ in the History of Romulus and Remus series kept in Vienna.

The author of the cartoons has not been ascertained either. He was most likely an Italianized painter from the Netherlands, probably from the circle of Michel Coxcie. Despite a certain lack of expression, his shapes are monumental and rich in colouring.

The style of the border, with its figures inserted among the vegetables and fruits, suggests a date of around 1570 for the series.

There is no precise documentation about the date of entry into the Cathedral of Zamora. It has been thought that the series belonged to the precentor Jacinto Varas y Vázquez, who presented the cathedral with eight ‘historical tapestries’ in 1772. However, the cycle could have been there since the early 17th century, since ‘twenty tapestries of fine wool telling of ancient history’ were documented in 1620.


References

F. Martín Avedillo, Los tapices de la catedral de Zamora, Zamora, 1989.

J.-P. Asselberghs, Los tapices flamencos de la catedral de Zamora, Salamanca, 1999.


Series The History of Hannibal

Models Anonymous Dutch master

Manufacture Brussels’ workshops, c. 1570

Fabric Wool and silk, 6,5/7 warps per cm

Origin In the cathedral since the 17th century

Location Cathedral of Zamora (Cathedral Museum)



MAZ



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