The Destruction of Troy (Destrucción de Troya)
This tapestry, the last one in the series, narrates one of the paramount moments in the Trojan War: the strategy of the horse thought out by the Achaeans. The author of the tale appears among the many scenes and characters represented. Several signs help to recognize the most prominent figures.
The horse of Troy
Tired of an unending war, the Greeks come up with a stratagem to be victorious. The top left side shows them retreating to their ships with Helen, already rescued from their captors (although she had actually run away with Paris willingly), while they leave behind the famous horse conceived by Ulysses. The horse stands out on the left side of the cloth. Its size is so enormous that part of the walls has to be demolished to move it into the city. The Greeks appear around it, coming out from its interior or getting into the city through the opening cut in its defenses. So does Agamemnon and, taking the Trojans by surprise, he and his comrades-in-arms kill whoever comes their way, men or women.
Death and destruction
Pyrrhus “Pirus”, son of Achilles, appears in the foreground on his way to the Temple of Apollo, where he kills King Priam. Above the temple,on the left, Hecuba entrusts her daughter <p>Polyxena to Antenor, fearing for her fate. But he turns out to be a traitor and hands her over to Pyrrhus, who beheads her. Hecuba herself and her other daughter, Cassandra, are held by Telamonian Ajax, “Talamonis aiax.” Destruction is all around: it is indicated by many fires, and there is even one character fitted with a pickax, eager to bring Troy's walls down.
The author of the tale
The scene displayed on the rightmost side of the tapestry departs from the Trojan tale and shows a remarkable realism. Framed by a construction topped with a Gothic arc, it shows a bearded character at a desk, representing the author of the tale. He shows the end of the tragedy, as stated in the lines opening the last inscription: “Ansi fine li store miserable de la cite digne de grant renom”.
There are five French inscriptions on the top part, and as many Latin ones on the bottom one, providing information on the taking and destruction of Troy by the Achaeans. Four escutcheons of the Count of Tendilla were woven later on, linking the different signs.
Series 11th cloth of The Trojan War
Cartoon Coëtivy Master (Henry or Conrard de Vulcop)
Manufacture Tournai workshops, c. 1470
Fabric Wool and silk, 6/7 warps per cm
Size 477 x 942 cm
Location Cathedral of Zamora (Cathedral Museum)
Origin A donation of Count Alba de Aliste, it arrived at the cathedral in 1608
Exhibition It is located in the Chapter House of the cathedral, opposite the cloth of The Rape of Helen